Beirut – Hayam al-Sayed
“Your Glory, Sham” is a new work, which includes a group of Syrian theater stars, including actor Saad Mina, whose credit includes a large number of successful works, the latest of which is the “Alley of the Jinn” series. , and he considered that small production companies always produced plays that needed new faces, new creations, and new personalities, emphasizing that the audience for works from the Levantine context was large.
- I have completed the shooting of “Your Majesty, Shaam”. Is it Ramadan season?
– Rather, will be shown in the future tense.
- Who are the most important participants in it?
– Written by Nadine Khalil and Muhammad Hamira, the series is directed by Rashad Kokash. It is a creation of the Levantine context, but it deals with it in a unique and different way. , and others. The company producing the work is new and comprises a group of young people from the artistic community.
- Is participating in a new production company a kind of adventure?
– There is no doubt that the matter is not adventurous, but the creators of the work are our colleagues, they are all professionals, they have relationships and experience in the media, and everyone accepted this work.
- Does this mean that all sides are making sacrifices to advance the Syrian drama?
– This should happen especially when the producing party is a new company. A group of small production companies produce plays, big and big companies don’t always produce them.
- The most important aspect of small businesses is opening the way for new faces?
– It is true, every big company has a special team including actors, directors and writers, therefore, the characters repeat themselves and only the costumes and decorations change from one work to another.
- Do you think this situation will hurt the drama?
– This situation has both positive and negative sides, one of its negative aspects is standing in the way of drama, because it always needs something new at all levels: creation of creations, characters and new faces. good
- Can the drama of the Levantine context be called a trump card?
– A play of Levantine context is convenient in terms of supply for the makers of this play, and it has convenient locations and neighborhood for shooting, and all that is needed for the work is to make some changes in it. Clothing is visible, can pass the story regardless of its content, and can send messages that the creators of the work love it.. In addition, environmental works do not depend only on the Syrian audience, whether in the Maghreb or the Gulf, the consensus from the Arab audience is that they like this style and this color.
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